I had a little trouble with my TL 18 last night, which persisted this morning.  Somehow, after winding bobbins, the needle would not go at all!  I tried all the tricks I knew, then called my dealer.  We tried a few things, none particularly related to the problem but this time, when I pressed the foot control and at the same time, turned the hand wheel, I could feel a little surge in the speed of the handwheel as the machine started working.  Thank heavens!

So, I know what I will be doing for the next few hours until Chuck and I walk down to the grade school to pick up our grandson, Garrett!  The “boys” will be finishing up on a woodworking project–painting a golf putter and practice hole.

This quilt will be about 5 1/2′ by 3 1/2′, a good size to fold at the foot of my bed, to be opened if I have cold feet when I finally tumble into the bed after late night insomnia prowling.

One interesting thing I will be trying on this project is adding a border to the back side that exactly matches the location of the front border. I have discovered that if the backing already has a border before packaging the quilt, there is the problem of getting the two sides centered correctly so the front and back borders line up exactly.  Tried that before, drove me crazy.

So this time, I am going to quilt the pieced center, almost to where I want to add the border, then stitch around the center section to show where the border should be attached to the back.   I plan to flip the quilt over, position and then  sew the left and right sides of the back border using the previous stitching as a guideline. After I flip the side borders over and secure them, I should be able to add the top and bottom borders, then flip them and be ready to quilt the borders all around the quilt.  Hope it works!

Fiber Guild meeting brings helping hands

Just a short note–I just started writing a blog for the Appalachian Ohio Fiber Guild. This group meets monthly at the French Art Colony in Gallipolis, OH.  Visitors and new members are welcome!  The blog has lots of photos of the group’s activities. http://apohfibg.wordpress.com/

We generally have a workshop or demo of some type, as well as bring in projects we have completed or are working on.  We also plan outings to our member’s farms, as well as day trips to fiber-related shops and exhibitions.

Yummy yarns from Nancy's recent trip to Nova Scotia

Mary and I share our mesh tote bags.

Most who attend knit or crochet, others felt, spin or dye wool, a few actually raise animals.  Two of us are art quilters.

Beginning in January 2012, our programs will feature one of our members’ farm or studio, with a virtual visit provided by photos.  I am planning to include these as a separate page on the guild blog, so you can join us in the tours!

Outing to Adell's farm for goat and sheep shearing-March 2011

Francis made the center block for my round robin quilt, borders made by Kay R, Kay C and Mary P.

Rhonda's Mariner's Star block, with borders by Jenny, Kay R and Cathy

All of those who participated in the Gallipolis Old and Young Quilters’ round robin challenge returned the finished quilt tops for our September meeting. They were beautiful!  I was delighted at how each team found fabrics and chose border designs to complement the center block!

Kay R's block, with borders by Mary P, Cathy and Rhonda

One thing I really enjoyed was the chance to try out new skills on a small project.  For instance, I paper pieced the outer border of Rhonda’s quilt and applique’d a vine on Kay R’s quilt, and worked outside my usual color palette for Jenny’s quilt.

I really enjoy quilting with these ladies, and every meeting I like to go around to each table to see what they are doing.

Check out this slideshow to see all the round robins, as well as a few pictures of the members working on projects.

I still need to add some photos of the studio that include the cutting table and Tin Lizzie 18, but the picture at the bottom of the post shows the room color and storage furniture better.

I have been planting in the portions of the garden visible from my quilting work station. The spring garden has lots of bulbs, but nothing much in the fall. Now there are ferns, mums and asters near the house, in addition to the more distant summer petunias and marigolds.

I love working here, especially when the morning sun comes through the window!

I added everything outside the blue and black checkerboard border. The corner blocks were paper pieced and I used 14 different fabrics because I wanted a scrappy look, which Rhonda loves.

This has really been a fun project, one I would like to do again, maybe with a theme. Everyone will be returning their round robins at next week’s meeting.  I wonder what mine will look like?

I finally completed “The Way It Is”, renamed as “Out of the Depths,” after more than a year in the making. It was the subject of two earlier posts.

I submitted photos in April 2011 and it was accepted for the biennial Sacred Threads Quilt Exhibition, held near Washington DC’s Dulles Airport, just a few miles from my brother, Dodd’s home. My sister Dianne Colgan joined my husband Chuck and I for the Artists’ Reception on June 25 and then spent some time together. Chuck and I stayed with Dodd and Leighann a couple of nights, then visited Dianne at her home just a few blocks from the Capitol building in downtown DC.

Out of the Depths was chosen to be included in the exhibition’s 2011 web gallery, which you can access on the Gallery tab on this link. Be sure to check out the other beautiful quilts, too!  http://sacredthreadsquilts.com/default.htm.

Artists were asked to include a brief statement about their quilts.  Visitors at the exhibition learned this about my quilt:

This wall hanging was created for a community ministry of intercessory prayer.  

Grief, loss, suffering, fear, deep needs of many kinds, may so afflict us that we feel like we are at the bottom of a pit, helpless and crying out for help.  White-on-white background quilting represents unseen spiritual influences.  The angular crystalline shapes quilted into the dull white duck cloth represent the anguish that drives our prayers.  The flowing cascade quilted into shimmering tulle represents the Holy Spirit that knows our needs and comforts us.

The woodcut “Reach” used by permission of the family of Robert O Hodgell.

My “Two Doors” wall hanging was also accepted for the exhibition. It was based on my husband’s photo of an old building in Staunton VA. The artist statement follows.

This work symbolizes two inspirations for prayer.  The wider warehouse door with mail slot seeks blessings FROM God.  The narrower dwelling door seeks the blessing of KNOWING God.  The number 7 represents completion of the work of reconciling Man (4) to God (3).  The completed work of Christ makes fellowship with God possible, represented by the dwelling door with its subtle outline of the cross.

Now, as I pray, I consider: “Which door am I seeking?”

Inspiration: Matthew 6:31-36 “Seek first the kingdom of God and His righteousness and all these things shall be added.”

Ha!  Over the past eleven years, my spare bed room and closet filled with tote boxes of puppets, props, costumes, portable stages, silk flowers and containers for church arrangements, and miscellaneous clutter.  I couldn’t even see the top of the bed!

Over the years, I spent hundred’s of dollars on those puppets and flowers!  The sad thing is, though I am no longer actively leading a puppet ministry at my church, and I no longer make silk arrangements  regularly, I am still holding on to everything.  Puppets can’t be stored in hot or humid areas or they will disintegrate, so I can’t put these seldom used items in the garage or attic.  Sometimes I think I would love to pass these on to an energetic new puppet director and find a new home for (or sell) the flowers.

Nevertheless, I am determined to clear this room!  And I have actually made progress.  The puppet boxes and silk flowers are now categorized and stacked neatly in the closet. The bed has been disassembled and stored elsewhere. Props have been sorted, throwing out many, storing others neatly in three mirror cartons.  I plan to lable the outside of the prop cartons, maybe include a photo of what is in each.

And I am going through my puppet costume closet, putting the best costumes into labled gallon ziplocks, for storage in a tote box.  There are still a lot of clothes (did you know puppets wear size 2 or 3 T clothes?) that I plan to offer to my daughters, and then maybe sell the rest.

What sparked this frenzy of organization? In the near future, I plan on taking the plunge to purchase a midarm quilting machine, and I will need a quilting studio to house it.  Since I don’t know how long we will continue living here–my local daughter may move to another town–logic says to purchase something that could be used in a smaller home, should we move to follow either of our daughters elsewhere.  That probably translates to a sit-down model.  But it is so much FUN to drive a frame quilter!

I have been looking at midarms for over a year.   I will be going to the Cincinnatti quilt show in a few days and will test drive several systems. Cost and size are the critical limiting factors in what I choose. I am leaning heavily toward Tin Lizzie 18′s as we have a good dealer/repair shop about 1 hour away. Here’s a picture from the Tin Lizzie website.  Their latest model, introduced last fall, now has an automatic needle up/down capability, something that previously had to be achieved by toe-taps.  Being able to set the machine to automatically stop needle down is a must-have feature for me. The table has a dropleaf that opens up to approximately 48″ square, and it can be put against a wall or into a corner if needs be.

I may still consider a frame quilter that can be set up for baby quilt size, but frankly, putting quilts on a frame (and the anticipated extra cloth needed for backing/batting on the frame) makes me reluctant to go this route.  I know I will need extra space all around the frame, too, which concerns me.  Still, I will try out various quilting systems at the show, looking at Tin Lizzie DLS on a frame, the TL Sit Down, and also the Crystal Quilter in a frame.  The CQ is only 16 inches, but it has some really innovative features, for a midarm.  Besides the up/down needle, they also have an automatic needle threader, thread cutter and presser foot down sensor!

Anyway, I need some time to plan this studio room.  I’m really glad for the QuiltUniversity.com online course on studio design!  Here is my current quilting area in our TV room.  It’s an improvement over what I had previously, but a 6′ by 9′ area is not large enough to add the midarm, and I’d like to have quilting, cutting and ironing in the same room. I will get out my notes and see what I can do!

Regarding furniture, my DH says I can have the heirloom 5-legged oak dining room table, which extends from 45″ square to almost 10 feet long.  Its a great size–my baby and art quilts won’t have to flop over the edge!  We also have an nice old high boy dresser that I can use for fabric storage, as well as two trunks for batting and quilt storage.  I really want a clean, uncluttered look to the room, with plenty of design wall space.  I can use this to put up finished art quilts, as well as works in progress.

I’m not sure what color for the walls.  The floor is golden oak.  I know I want to get rid of the dark green wallpaper and chair rail!  Since there are only two small windows looking east and north, I need to keep the wall color light.

Building Eight

I can’t believe it has been almost a year since my last post! Of course, lots has gone on. My quilting guild gave me the go-ahead to make the guild website http://qntqg.wordpress.com/, so I have been doing my best to keep that reasonably up to date. Wish there was a faster way to add the 10 to 15 “Show and Tell” photos of the ladies’ beautiful quilts!  Somehow, I messed up the formatting of the blog and I don’t know how to get it back to what it should be.  That is a discouragement, and the longer I wait, the more discouraging it gets.  The old “approach-avoidance” dilemma!     

And especially, I began volunteering at a newly established restoration center for abused women and their children. I spent most of that time working in “Building Eight,” a lovely three story house that used to be just a single story garage. The campus of this center is truly a place of beauty and rest for all who enter the grounds.  My first project was to organize a quilting studio as part of the creative arts-personal development aspect of the restoration program.  Thanks to all those who donated fabric, quilting supplies and six vintage sewing machines! Once that was pretty well in hand, I moved on to other projects in Eight.

I designed the storage units and helped construct “The Storehouse,” a room on the ground floor with built-in shelves for women and children’s clothing and household goods. With the help of others, we went from bare concrete block walls to four rooms and a stairway to a second floor apartment and the third floor Creative Arts Center.  Besides the Storehouse, the other ground floor rooms will be for counseling, laundry and a handicap restroom.        

Chuck and I only go out a couple of times a week, so work has progressed slowly. Finish work is very exacting and takes much longer than one would expect. We are finally nearing completion of these rooms.  Clothing and goods have been sorted by size and packed into labeled tote boxes and stored in the the Storehouse shelves, the first room to be completed. All the other walls in the rest of the ground floor have been drywalled, electrical systems installed, and now we are sanding the last layer of drywall compound in preparation for paint.  The laundry room for the apartment is operating now, too.  We hope to paint all the walls and floors in the next few weeks, then clean up the construction debris.  Whew!  Almost a year to do that!    

Over the summer, Wing Haven had three women who fled seriously abusive relationships.  They came to the beautiful campus to rest, recover, and learn the skills needed to start a new life.  The ladies have left now, we hope to live and raise their children free of abuse.  As originally designed, the Wing Haven program provided safe housing, job training, counseling for the Mom and children, and a special children’s development program to help heal the damage of witnessing domestic violence.     

Unfortunately, given the economy, financial donations were not sufficient to continue the original program, so Wing Haven is going in a different direction. We are now offering counseling for individuals and families in the area, as well as it’s newest venture, a special program called “Confident Kids” for pre-school aged children.  “CK” teaches 4 and 5 year olds to understand and accept their God-given emotions, learn how to talk about them, and how to cope with life’s experiences in a positive way.     

David, the shepherd king, who spoke to God heart-to-heart.

David and Friends

I am one of the volunteers, performing various modern puppet character roles and sometimes the part of David, the Old Testament shepherd king who is still considered Israel’s greatest poet.    

David’s poems, recorded in the book of Psalms, reveal fear, anger, joy, satisfaction, confusion and worship.  He is a wonderful role model for the children, who are learning that all their emotions are OK, even if some are not fun to feel.       

A few of the Circle Time Friends

Besides the Bible story, there is also a puppet skit for Circle Time, which features modern kids dealing with various experiences that bring feelings of woundedness, excitement, fear and confusion.  My puppet team from Pathway Community Church came over to my house a week ago and we videotaped three weeks’ worth of Circle Time and David skits.  Luckily, our puppet ministry is blessed with many puppets and costumes.   

This was our first time to film our puppet plays “for the public,” and we borrowed my daughter’s digital video camera!  What a difference from our previous videotaping experience with the older technology! We have lots to learn from the technical viewpoint of camera placement, etc.  My puppet team did very well, considering this was the first time they saw the scripts, and we just ran through the plays a few times before filming. In four hours, we filmed five plays to be shown the first three weeks of Confident Kids, with four more plays to go in the “All Your Feelings Are OK” unit.   

I made the seeds from two sizes of plastic Easter eggs.  All are spray painted, with craft foam eyes and short sections of feather boa hair attached using hot glue. Next time, it may help to use sandpaper on the plastic for better adherence–an eye and the boa hair came off one puppet. 

I cut a hand-sized hole into the bottom of the box, and used crumpled newspaper  to build up the interior of the box so fewer eggs were needed to fill it.  The paper was glued around the interior walls of the box, leaving the middle open for the seed puppeteer’s hand to work  three  large seeds as finger puppets.   She will be using an inexpensive cotton work glove, as this bulks up her wrist so the box doesn’t move around too much, or slide down her arm. 

Three of the larger eggs have the bottom sawed off, leaving a one-inch hole to insert a finger.  However, this left too much room in the interior of the egg for a snug fit around the puppeteer’s finger.  So I opened the egg shell and used it like a cookie cutter to fill the egg halves with floral foam, then closed the shell again.  Floral foam is soft enough to allow the puppeteer to shove her fingers into the egg, producing a custom fit.

Most of the seeds were glued onto the crumpled paper around the sides of the box.  The small egg in the center front is not glued in, so the farmer puppet can remove it to plant it into the ground.

The seed box prop worked well for its practice debut, but the seed finger puppets come off easily, which could be a problem!  I may use some temporary spray adhesive on the glove fingers to hold the seeds in place better.

Sometimes when we try to pray,  it seems like we can’t break through the distraction of the day to day events.  In extreme situations,  we are in such painful circumstances, we can’t pray at all.  The words don’t come, even thoughts are incoherent.  We can only cry out, “O God, help!”  But God hears, even if it seems like we are at the bottom of a pit crying out to the light. 

From inside the fish Jonah prayed to the LORD his God. He said: “In my distress I called to the LORD, and he answered me. From the depths of the grave I called for help, and you listened to my cry. …….  To the roots of the mountains I sank down; the earth beneath barred me in forever. But you brought my life up from the pit, O LORD my God.  Jonah  2:1-6

To represent the intensity of prayer, I quilted an aura surrounding the man and extending heavenword from his raised hand. I also wanted to show something of that pit that Jonah experienced.  I found one of the quilting patterns at Patsy Thomson’s website http://patsythompsondesigns.com to provide a crystalline pattern I thought would convey what I wanted.  I pinned the quilt to the design wall and moved yarn around til I was pleased with the line.  I wanted sharp angles, because what drives us to prayer, and also distracts us, are the painful thoughts and circumstances of life. The crystalline quilting now fills the space to the left, right and below the figure.

Somehow, the story told by this image was incomplete. Yes, prayer, especially intercessory prayer, is a spiritual struggle. Yet I also wanted to show that in prayer, the repressive influence loosens, as God’s Spirit helps us to connect with him, to be aware of his presence.  And so, I asked for some way to show that grace of God moving down to embrace the one who is seeking Him, forcing the intrusive circumstances away to provide an envelope of peace that allows communion to occur.  Man cries out to God. And God listens.

What developed to show this divine intervention to enable effective prayer is a vertical quilting pattern set into a background of stiple. The vertical quilting sets up a vibration in the air that offsets the random confusion in the surrounding air.

Of course, as the quilting is white on white, the struggle and consummation of that struggle in communication between God and Man is subtle, will only be apparent if the light falls a certain way.  And so, too, are the unseen influences that make up the landscape of prayer, communication with God, and spiritual forces that seek to cripple that communion. You have to be sensitive to more than the gross outline offered to our physical senses, to be aware of the greater reality of the spirit. 

I am so thankful that God made a way for communion and fellowship with Him to be restored. What blocks this relationship is sin, ours, and even that of the culture in which we live. Without the work of His Son, no fellowship is possible.  Without personally accepting the part our own sin plays in that separation, and following through with accepting Jesus as the only adequate and necessary way back to God, each of us is lost, separated forever from Him, in this physical life and the eternity to follow.